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| Playing Repeated Notes? | |
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| Topic Started: Oct 6 2008, 01:24 AM (96 Views) | |
| Rabbit | Oct 6 2008, 01:24 AM Post #1 |
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Pendanters x 2
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A number of the songs that I've been learning have repeated notes - so you'll end up with C C C, or something of that nature all at the end of a line or somewhere in the middle (this is especially provident in Puccini's "Musetta's Waltz", as well as a portion of "Mercedes' Lullaby", and don't get me started on the Traverse Town theme!). I've been having trouble playing these notes in a row. They end up being one looooong note instead of multiple short ones in a row.I was wondering if anyone had some advice for what I could possibly do to help play these repeated notes? I've been trying the idea of raising my tongue to block off and "flick" air, but I'm sure there has to be a better way than that. |
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| IceWind91 | Oct 6 2008, 02:07 AM Post #2 |
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CHARLESTON, CHARLESTON...
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You're on the right track. The technique you're looking for is called tonguing. Basically, you whisper the syllable 'tu' to block the air for a split second. This technique is usually applied in between every note, with some exceptions (legato playing, for example). |
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| zipcat | Oct 6 2008, 02:15 AM Post #3 |
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Inliner x 5
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Yep, that's the way. For faster songs you might want to try going "To ka to." There are a bunch of ways, and I believe there is a guide here about tonguing, if not there are plenty of references online. It works really well to separate notes. Also, if you're playing a song with a beat you can whisper the sounds of it. For example, one beat has a part called "Dun Dun te ka tek" for my djembe, and it would fit a song that has a similar beat. But I don't know what you like, so just fool around. There are so many different ways to blow into your ocarina. Just play around and have fun. You could go "Whooo" or "Tooo", to have a soft start or a strong hit. They both work well for different songs. Here is a site I found on tounging for you. http://www.rogermillington.com/siamsa/brosteve/tonguing.html |
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| Penumbra | Oct 6 2008, 05:57 AM Post #4 |
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Volitophile
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Basically, you want to put the tip of your tongue to the place where your top teeth meet your palate(roof of your mouth), similar to the letter "T" sound. HOWEVER, and this is a point I cannot stress enough, you typically want to avoid staccato unless the piece calls for it. Staccato is when you tongue the notes, and play them very short and far apart by returning your tongue to the same position. This is a mistake a lot of people new to wind instruments make, and it makes what would otherwise sound very pretty, sound very not pretty. Also, here is a video of my favourite flutist demonstrating double-tonguing and triple-tonguing. Spoiler: click to toggle EDIT** Fixed some stuff Edited by Penumbra, Oct 6 2008, 01:02 PM.
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| Rabbit | Oct 6 2008, 10:15 PM Post #5 |
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Pendanters x 2
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Good to hear that I'm on the right track at least! :] I really appreciate the quick response. It seems a little tricky. I mostly play with one continuous stream of air, it's just the occasional series of repeated notes that prove a little tricky. The guide and everything is definitely more comprehensive than groping around in the dark and hoping I'm going it right. |
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| Penumbra | Oct 7 2008, 07:47 AM Post #6 |
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Volitophile
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Haha. It isn't very hard. Just say "tuh" and remember to hold the note for the proper length of time. Also, it's a good thing to use that continuous stream of air. The tonguing only momentarily stops it. |
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A number of the songs that I've been learning have repeated notes - so you'll end up with C C C, or something of that nature all at the end of a line or somewhere in the middle (this is especially provident in Puccini's "Musetta's Waltz", as well as a portion of "Mercedes' Lullaby", and don't get me started on the Traverse Town theme!). I've been having trouble playing these notes in a row. They end up being one looooong note instead of multiple short ones in a row.





3:04 PM Nov 18

